I like the way the video starts with the old version and the actual wolf says he is bored of it and then changes to a completely different setting and characters, more older age however i don't find it as interesting for its a children's story that you can't improve or change... the whole build up of whats the wold going to do and whats going to happen to little red riding hood, wheres grandma and what big teeth she has.
Tuesday, 21 May 2013
Wednesday, 15 May 2013
Fred QUIMBY
Frederick Clinton "Fred" Quimby (Saturday, July 31, 1886 – Thursday, September 16, 1965) was an American cartoonproducer, best known as a producer of Tom and Jerry cartoons, for which he won seven Academy Awards. He was the film sales executive in charge of the Metro-Goldwyn-Mayer cartoon studio, which included Tex Avery and the team of William Hanna and Joseph Barbera, creators of Tom and Jerry.
Quimby was born in Minneapolis, and started his career as a journalist. In 1907, he managed a film theater in Missoula, Montana. Later, he worked at Pathé, rising to become a member of the board of directors before leaving in 1921 to become an independent producer. He was hired by 20th Century Fox in 1924, and then MGM in 1927 to head its short features department. In 1937, he was assigned to put together its animation department.
In 1939, William Hanna and Joseph Barbera presented him with their project for a series of cartoons featuring a cat and a mouse. Quimby approved, and the result was Puss Gets the Boot, which was nominated for an Academy Award. Initially he refused to pursue more Cat and Mouse cartoons after Puss Gets the Boot but success and money earnings that were for the cartoon he agreed to make Tom and Jerry an official cartoon for the MGM cartoon studio. As producer, Quimby became a repeated recipient of the Academy Award for Animated Short Film for the Tom and Jerry films without inviting Hanna and Barbera onstage and his name became well known due to its prominence in the cartoon credits
Chuck JONES
Charles Martin "Chuck" Jones (September 21, 1912 – February 22, 2002) was an animator, cartoon artist, screenwriter,producer, and director of animated films, most memorably of Looney Tunes and Merrie Melodies shorts for the Warner Bros. Cartoons studio. He directed many of the classic short animated cartoons starring Bugs Bunny, Daffy Duck, the Road Runner and Wile E. Coyote, Sylvester, Pepé Le Pew and a slew of other Warner characters. Three of these shorts (Duck Amuck, One Froggy Evening and What's Opera, Doc?) were later inducted into the National Film Registry. Chief among Jones' other works was the famous "Hunting Trilogy" of Rabbit Fire, Rabbit Seasoning, and Duck! Rabbit, Duck! (1951–1953).
After his extraordinary career at Warner Bros. ended in 1962, Jones started Sib Tower 12 Productions and began producing memorable cartoons for Metro-Goldwyn-Mayer, including a new series of Tom and Jerry shorts and the television adaptation of Dr. Seuss' How the Grinch Stole Christmas! He later started his own studio, Chuck Jones Productions, which created several one-shot specials, and periodically worked on Looney Tunes related works.
Film historian Leonard Maltin has praised Jones' work at Warner Bros., MGM and Chuck Jones Productions. He also noted that the "feud" that there may have been between Jones and colleague Bob Clampett was mainly because they were so different from each other. Chuck Jones' character styles were more controlled and calmed down, while Bob Clampett's were crazy, wacky and insane.
Tex AVERY
Frederick Bean "Texas/Fred/Tex" Avery (February 26, 1908 – August 26, 1980) was an American animator, cartoonist, voice actor and director, famous for producing animated cartoons during The Golden Age of Hollywood animation. He did his most significant work for the Warner Bros. and Metro-Goldwyn-Mayer studios, creating the characters of Bugs Bunny, Daffy Duck, Droopy, Screwy Squirrel, and developing Porky Pig, Chilly Willy (this last one for the Walter Lantz Studio) into the personas for which they are remembered.
Avery's influence can be seen in almost all of the animated cartoon series by various studios in the 1940s and 1950s. Gary Morris described Avery's innovative approach:Above all, [Avery] steered the Warner Bros. house style away from Disney-esque sentimentality and made cartoons that appealed equally to adults, who appreciated Avery's speed, sarcasm, and irony, and to kids, who liked the nonstop action. Disney's "cute and cuddly" creatures, under Avery's guidance, were transformed into unflappable wits like Bugs Bunny, endearing buffoons like Porky Pig, or dazzling crazies like Daffy Duck. Even the classic fairy tale, a market that Disney had cornered, was appropriated by Avery, who made innocent heroines like Red Riding Hood into sexy jazz babies, more than a match for any Wolf. Avery also endeared himself to intellectuals by constantly breaking through the artifice of the cartoon, having characters leap out of the end credits, loudly object to the plot of the cartoon they were starring in, or speak directly to the audience.
Avery's style of directing encouraged animators to stretch the boundaries of the medium to do things in a cartoon that could not be done in the world of live-action film. An often-quoted line about Avery's cartoons was, "In a cartoon you can do anything." He also performed a great deal of voice work in his cartoons, usually throwaway bits (e.g. the Santa Claus seen briefly in Who Killed Who?), but Tex did fill in for Bill Thompson as Droopy, although the individual cartoons where Avery did this have never been specified.
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